Free & Easy [1975 to 1990] A South African Pop & Rock Mix, feat Rabbitt, éVoid, Johnny Clegg, Clout

A 3-hour chronological mix of a few of my favourite tunes by South African artists from the late 70’s and 80’s.

Some cover versions and a whole bunch of original tracks.

A few songs have been sourced from original vinyl singles.

More info on almost all these artists can be found at www.Rock.co.za

Please also take a listen to:
https://www.mixcloud.com/briancurrin/reflections-the-good-the-bad-the-ugly-of-my-life-a-south-african-rock-collection/
https://www.mixcloud.com/mabuvinyl/mabu-mix-south-african-prog-rock-vol-1-1968-to-1982/
https://www.mixcloud.com/mabuvinyl/african-daze-2-more-south-african-prog-rock/
https://www.mixcloud.com/mabuvinyl/mabu-mix-south-african-60s-rock-vol-1/
https://www.mixcloud.com/briancurrin/rock-legends-5-x-5-1968-to-1974-a-south-african-classic-rock-mix/

1. Charlie – Rabbitt
2. Venus – Stockley Sisters
3. Substitute – Clout
4. Free And Easy – Finch & Henson
5. You’re Living Inside My Head – John Ireland
6. Buccaneer – McCully Workshop
7. ZX Dan – Radio Rats
8. Blommetjie Gedenk Aan My – Anton Goosen
9. Jo Bangles – Baxtop
10. Better The Devil You Know – Stingray
11. Man On The Moon – Ballyhoo
12. Bokkie Bokkie – David Kramer
13. Paradise Road – Joy
14. Nightmare – Peach
15. Schoolboy – Asylum Kids
16. You’re So Good To Me – Hotline
17. Grips Of Emotion – Lesley Rae Dowling
18. Bowtie Boogaloo – Morocko
19. What’ya Gonna Do When The Reggae Breaks Your Heart – Beanstalk
20. Give Me The Good News – Crocodile Harris
21. The Bushman – Steve Kekana
22. Taximan – éVoid
23. Live On – Pierre De Charmoy
24. See Yourself (Clowns) – Ella Mental
25. Mysteries & Jealousy – The Helicopters
26. Magical Touch – Petit Cheval
27. Jabulani – PJ Powers & Hotline
28. Waiting (For A Miracle) – Dog Detachment
29. Ancient Dust Of Africa – Edi Niederlander
30. Baby You Been Good – Robin Auld
31. Burnout – Sipho “Hotstix” Mabuse
32. Superstar – Stewart Irving
33. As I Went Out One Morning (Damsel) – Tribe After Tribe
34. Hey Boy – Via Afrika
35. Johnny Calls The Chemist – Falling Mirror
36. We Are Growing – Margaret Singana
37. This Boy – Sweatband
38. Weeping – Bright Blue
39. My Kind Of Girl – Cinema
40. Scatterlings Of Africa – Johnny Clegg & Savuka
41. Prisoner – Lucky Dube
42. Dance Sum More – Mango Groove
43. Paint It Black – No Friends Of Harry
44. Be Bop Pop – The Spectres
45. Dear Abbie (One Night Of Passion) – Little Sister

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TIME TO SUCK – THE FLIPSIDE TO INVESTING?

Time To Suck

Time To Suck

I’m at my favourite record store in Cape Town bemoaning the lack of decent second-hand vinyl these days, when the conversation shifts to collectable South African records – is there such a thing you may ask, as a collector’s market for SA vinyl?

Among aficionados both local and international one thing is certain – LP’s from around the world have become more and more collectable when it comes to certain artists, but more importantly, SA vinyl from the early 1950’s onwards has not escaped the attention of serious collectors worldwide.

“So, what’s the value of a decent copy of Time to Suck by that notorious band SUCK, on the Parlophone label?” I ask.

“Well,” says the owner, “we’ve recently sold a copy to a Russian collector for 20 G’s.”

“Whaaaaat?” I croak, choking on my croissaint!!! 20000 rand for a piece of plastic!!

In 1970 when the record was released, you could buy a new copy for R1.99 at the local record shop, so do the math – it’s about a million and some percent profit over 50 years.

Even cryptocurrencies can’t beat that performance it seems, so what’s going on?

And here’s the story: during the late 60’s local Johannesburg-based music promoter Clive Calder saw currency in 5 of the then ” happening ” groups of the time viz. Freedoms Children, Hawk, Otis Waygood Blues Band, Abstract Truth, and ominously, SUCK.

They began recording for Calder at EMI and each released albums over a period of some 5 years, in the process creating some of the most vital and original music ever to be released on these shores.

In most cases only very limited numbers were stamped at EMI’s plant and sold to the public, and unlike European and American markets, were never released again. This is why their values have skyrocketed over the years. In most instances the groups themselves never became wealthy individuals, Calder later built a multi-million-pound music empire in the UK.

Unlike cryptocurrencies which have become huge investment traps, vinyl has some unique qualities which are much more attractive: you get something tangible. a large piece of plastic with a concentric layer of grooves, a central label identifying artist and record company, and most importantly – a hole in the centre!

Removed from a sleeve, most of which are visually gratifying to the eye, the shiny disc is placed on a turntable and the phono cartridge does the job of conveying the music to your ears. Unlike your cryptocurrency, the LP record doesn’t spin out of control over bad news in the marketplace, it keeps appreciating in value over the years with successive hearings.

The thing that really intrigues me with the Suck album is this – essentially, it’s a collection of heavy rock cover versions, only one original song on the entire record. Played with some ferocity, you can’t help thinking these are some pretty mean dudes involved. The cover doesn’t help, a young boy sitting in front of somebody’s bass drum.

That drum belonged to Savvy Grande, who whacked the skins for Suck, along with cohorts Andy Ionnides, Louis “Moose “Forer and Steve Gilroy.

Savvy Grande

Savvy Grande

Open the cover and there you see the gringos in all their glory, in the heyday which saw them become the most notorious group in the country: they beat a path of musical mayhem and destruction around the country, eventually disbanding because no theatres would allow them to play.

Suck

Suck

“I certainly didn’t get any money from Suck” says a chagrined Savvy, “instead I invested in the restoration of motorcycles, some of which are sold to collectors around the world, some ending up in museums in countries such as Portugal”. Cryptocurrencies don’t interest me at all, I prefer to earn a living using my hands and my technical skills.

Steve Gilroy, a savvy Englishman who came to SA in the 60’s has a different story:

After Suck disbanded, he started a publishing company in Johannesburg, and then began experimenting with home-made beer-making. After several years he expanded his skills into brewing fulltime. He established Gilroy’s in Muldersdrift, which has become popular for his craft beers and his Up Yours poems.

Talking it up has been the making of cryptocurrencies worldwide, but the vinyl revival has ensured that collectors around the globe have achieved more than satisfactory returns from their own collection investments – probably on a far greater measure both aurally and visually.

For those who have SA collectibles the news is good – those shiny plastic discs contain gold – kids, check out dad’s or grandpa’s record collection, there’s bound to be something valuable in there – so much more exciting than sitting on the pc chasing after shadows in the crypto world!

Garth Chilvers / Tom Jasiukowicz

Garth Chilvers and Tom Jasiukowicz published History of Contemporary Music of South Africa, 1994, Toga Publishing.

Tom Jasiukowicz, Steve Gilroy, Garth Chilvers

Tom Jasiukowicz, Steve Gilroy, Garth Chilvers

https://en.wikipedia.org/wiki/Time_to_Suck

http://www.rock.co.za/files/timetosuck.html

THE BEST RECORD STORES TO VISIT IN RED CITIES | RadissonRed

Extracted from https://www.radissonred.com/blog/music/the-best-record-stores-to-visit-in-red-cities/

Mabu

Immortalized in the Searching for Sugar Man documentary film, this is a great introduction to African rhythms and the genres are as broad and all-encompassing as the continent itself. Hip hop, house, jazz, soul, funk, R&B – check. But add rock, pop, techno and dancehall too – and you’re still not even close to unearthing the full extent of this Gardens favorite, a nice addition to this upscale suburb of the city.

2 Rheede Street, Gardens, Cape Town, 8001, South Africa

www.mabuvinyl.co.za

Speaking About Sugar Man: All The Cold Facts

Sugar & Rodriguez

Sugar & Rodriguez in London

Speaking About Sugar Man: All The Cold Facts

An informative and inspiring motivational talk about the Rodriguez phenomenon.

For the past 20 years, Stephen “Sugar” Segerman has been involved in the rediscovery of, and resurgence of worldwide interest in, Sixto Rodriguez. This legendary and internationally acclaimed American folk-rock singer-songwriter, who was a huge success in South Africa from the ‘70’s onwards, was believed to be dead but was found alive and well and living in Detroit in 1997. Since then his career has gone from strength to strength following a series of international tours, the re-release of his albums, and the success of the Oscar-winning film about this extraordinary story, ‘Searching For Sugar Man’, in 2013.

Now you can enjoy hearing Stephen “Sugar” Segerman talk about this whole musical adventure. “Sugar” as he is popularly known, has travelled around South Africa and overseas giving these talks and answering questions for the past few years, following the success of the film. He attended the Academy Awards ceremony in 2013, followed by the publishing of his best selling book in 2015, called “Sugar Man – The Birth, Death and Resurrection of Sixto Rodriguez”, co-written with his fellow “Musical Detective” in the story, Craig Bartholomew Strydom.

Stephen “Sugar” Segerman lives in Cape Town and is the owner of the iconic record store, Mabu Vinyl, in Gardens. Along with Malik Bendjelloul, the director of the film ‘Searching For Sugar Man’, Sugar spent over six years working on the documentary which premiered at the 2012 Sundance Festival, where it won two awards. The film then spent the rest of 2012 being shown at many Film Festivals around the world where it won a host of awards, including the Bafta Award, and then in 2013, the Oscar award for Best Documentary.

 

To find out the details involved in booking Stephen for a talk at your venue, which lasts approximately an hour and a half and includes a question and answer session, please contact:

Contact Details:

Brian Currin
(Bookings and info):

Email: sugarmanstory@sugarmusic.co.za

Phone: 021 423 7635

or use the form below:

Web:

Website: https://sugarmanstory.wordpress.com/

Facebook: https://www.facebook.com/SugarManStory/

Instagram: https://www.instagram.com/SugarManStory/

Twitter: https://twitter.com/SugarManStory

Mabu Vinyl:

2 Rheede Street

Gardens

Cape Town

Phone: 021 423 7635

Email: info@mabuvinyl.co.za

Oh! My Vinyl!!!

SALE on 7” and 12” Singles

At Mabu Vinyl

Fresh Batches have arrived…!!

– House, Techno and Dance, etc….

–  All Genres

– Plenty Of Picture Sleeves

– Two Listening Facilities Available

Where??

Mabu Vinyl, 2 Rheede Street, Gardens, Cape Town

When???

Saturday 1st July – starts 1pm, all afternoon….!!!!

See you there…!!!!